This cinematic tapestry of contemporary Hong Kong weaves together the memories of older generations’ historical experiences with the struggles of the younger generation striving to preserve their freedom today.

Synopsis

The film documents three real-life characters who engaged in rebellions when they were young. Through reconstructing these events, the film dramatizes their scarred memories and experiences by using four young people who participated in the 2019 Anti-extradition Law Amendment Movement in Hong Kong. These real protagonists are separated by time and history, yet their lives parallel and overlap, because they have similarly defiant backgrounds and find themselves in similarly chaotic predicaments.

Images flow between documentary and drama, blending archival materials, interviews and behind-the-scenes footage, weaving an expansive tapestry that encompasses these tumultuous eras…

How do the young people of this city envision their future today? What do they think about this seemingly unwinnable revolution?

“This is a story about those generations who have contemplated the nature of Hong Kong and their identities as Hongkongers, but who are depressed by their inability to shape the city’s fate. This kind of disillusionment is a universal tether that binds all of us together.”

Dir. Chan Tze Woon

About the director

Chan Tze Woon is a Hong Kong-based director and writer. Born 1987 and raised in this city, his debut feature-length documentary Yellowing (2016) examined the Umbrella Movement, a large-scale civil occupation in 2014. This documentary explored Hong Kong’s fraught relationship with mainland China. It won the Shinsuke Ogawa Prize at the 2017 Yamagata International Documentary Film Festival, and was nominated for Best Documentary at the 2016 Taipei Golden Horse Film Awards.

Chan’s first two short films, The Aqueous Truth (2013) and Being Rain: Representation and Will (2014), both broached the subject of Hong Kong’s political situation by means of conspiracy plots and the mockumentary form.

Blue Island is Chan’s second feature-length film.

 

“An interesting blend of documentary and fiction covering the recent years of turmoil in Hong Kong. It’s a bold series of interviews and recreations.”

—Letterboxd

“A film like Blue Island really epitomizes the power of cinema in preserving the truth, which is no small feat, and in the current reality of Hong Kong, a valiant victory.”

—VCinema

“Visceral! Will kick you in the knees and drop you to the floor.”

—Unseen Films

UPCOMING SCREENINGS

南方影展 South Taiwan Film Festival

11.06 (Sun) 22:20〡台南新光影城4廳
11.09 ​(Wed) 20:40〡台南新光影城4廳〡★ 影人座談

BUY TICKETS

金馬影展 Golden Horse Film Festival

11.14 〈一〉 12:10 微風影城 B廳
11.15 〈二〉 19:10 微風影城 B廳 ★影人座談

BUY TICKETS

PAST THEATRICAL SCREENINGS

NORTH AMERICA

VIFF Centre, Vancouver
Seattle, Northwest Film Forum
METROGRAPH, New York City
San Francisco, Roxie Theater
Los Angeles, Laemmle’s Royal Theater
Detroit Institute of Arts

 

JAPAN

東京:ユーロスペース
大阪:シネ・リーブル梅田
京都:京都シネマ
福岡:KBCシネマ
神奈川:横浜シネマ・ジャック&ベティ
静岡:シネ・ギャラリー
神奈川:あつぎのえいがかんkiki
宮城:フォーラム仙台
山形:フォーラム山形
愛知:名古屋シネマテーク
長野:松本CINEMAセレクト
青森:シネマディクト
香川:ソレイユ
栃木:宇都宮ヒカリ座

UK

Cineworld:
-Belfast
-Birmingham Broad Street
-Cardiff
-Edinburgh
-Glasgow Renfrew Street
-Leeds
-Nottingham
-London O2 Greenwich
-Sheffield

Showcase:
-Bristol
-Leeds
-Nottingham
-Reading
-Southampton
-Glasgow
-Liverpool
-Leicester

Odeon:
-Edinburgh Lothian Road
-Birmingham New Street
-Sheffield
-Liverpool One
-Kingston
-Manchester Great Northern
-London Haymarket
-Bristol
-Exeter
-Leicester
-Belfast

Genesis Cinema, London

Tyneside Cinema, Newcastle

Broadway Cinema, Nottingham

Institut Francais, London

Blue Island 憂鬱之島

97 mins|Colour
2022 | Hong Kong, Japan

SUBTITLES  

Traditional Chinese, English

PRESS CONTACT

[email protected]

LANGUAGES

Cantonese, Mandarin, English

NORTH AMERICAN DISTRIBUTOR

The dGenerate Films collection of Icarus Films
[email protected]

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